Material

Wool, Natural dye

By

Made in

Animal material 64 Biodegradable 252 Circular 236 Dye 49 Fibre 73 Pigment 51 Plant-based 183 Regenerative 55 Textile 99 Natural dye 8 Wool 10

Wool, Natural dye
Wool, Natural dye
Wool, Natural dye
Wool, Natural dye
Wool, Natural dye
Wool, Natural dye
Wool, Natural dye
Wool, Natural dye
Wool, Natural dye
Wool, Natural dye

Photos: Studio Claudy Jongstra, Jeroen Musch, Iris Haverkamp Begemann

Drenthe Heath Wool

Claudy Jongstra is known worldwide for her large-scale textile artworks and architectural installations, with organic surfaces and vibrant colours that reflect Jongstra’s masterful innovations in the ancient techniques of wool felting and plant-based dyeing.

Maintaining a flock of rare, indigenous Drenthe Heath sheep (the oldest breed in Northern Europe) and cultivating a dyer’s botanical garden, Jongstra’s radical soil-to-soil philosophy, no-waste approach and inclusive way of collaborating. Creates a community-based and completely sustainable process which culminates in her charismatic artworks.

Making process

The process of making each large-scale work of art at Studio Claudy Jongstra begins in the fields of the rural northern province of Friesland, The Netherlands. Wool from indigenous Drenthe Heath sheep, whose grazing balances the biotopes in their native heathland habitat, is Jongstra’s primary material. Colours are distilled from natural dye plants, grown on Jongstra’s biodynamic farm, which contributes biodiversity to the region. This regenerative process minimises waste and facilitates collaboration with multiple communities, landscapes, species and forms of knowledge.

Jongstra’s international team includes artists in residence and is in constant dialogue with the local community, regional farmers, scientific, educational, and cultural institutions, students, young people and social initiatives. Hands-on workshops and tutorials led by Studio Claudy Jongstra aim to revive centuries-old skills in danger of being lost in our modern world. In order to preserve the intergenerational transfer of this knowledge and to provide clues for more sustainable and circular models for the future. This relational way of working weaves socio-ecological contexts into Jongstra’s art.

Text submitted by the maker and edited by the Future Materials Bank. For information about reproducing (a part of) this text, please contact the maker.

Ingredients

Drenthe heath wool, botanical dyes

Credits

Galerie Fontana

Physical samples

  • 0126-1

Accessible to participants at the Jan van Eyck Academie and on appointment.